I Saw the TV Glow – Upcycled T-Shirt

You may have seen my previous post about my Silence of the Lambs T-shirt. I made another upcycled t-shirt in the same style! This one is based off the movie I Saw the TV Glow.

I saw “I Saw the TV Glow” (try saying that ten times fast.) with a friend of mine, and we both loved it. Her birthday was a couple weeks ago, and I made this shirt for her as a birthday present. (Ignore that it’s two weeks late.) 

I used all the skills I learned from the Silence of the Lambs shirt to make this one. Overall, I thought the process was much faster, and much smoother. 

I based my design off the movie poster. 

I chose the TV as the motif for the shirt. I thought that adding the silhouette of the person in front of the TV would make the shirt too busy, and having the bottom of the body randomly cut off in the middle would have looked weird. 

I followed the exact same steps that I did for my Silence of the Lambs upcycled t-shirt, but with a TV instead of a moth. 

I printed the pattern on Heat & Bond Featherlite, and fused the pieces onto the t-shirt fabric. Then I cut out the pieces and fused them to each other. 

For the TV screen, I wanted a fabric that imitated TV static. I ended up getting two options for this. One was a heathered magenta shirt, the other was a pair of pink athletic leggings. I ended up using the leggings because the horizontal texture they had looked more like TV static.

I didn’t love working with this fabric, and I would suggest sticking to t-shirts if you were doing this at home. I felt like the athletic fabric was a bit thick for the needle—when I stitched through it, it felt gummy. Maybe using a ball point needle would have helped? But I didn’t think of that until the next day.

For my Silence of the Lambs shirt, I needed to have a backing piece of black fabric behind the moth design so that I could completely cover the design already printed on the shirt.

Here’s the t-shirt I started with.

Even though the motif is large, I probably could have covered the t-shirt design with just the TV, but I still opted to have a backing piece. You can see here that I just fused it to a rough black rectangle.

Sewing the TV to that backing piece made outlining the TV much easier. If I had just fused the TV right onto the shirt, I would be wrangling the shirt while I tried to do my precise outline. 

Somehow, I didn’t get a single picture of the TV after I outlined it, but before I stitched it to the shirt. Hindsight is 20/20, I guess. After I did my outline stitching I trimmed the backing fabric to about 1/4 inch (maybe a little more) all the way around the edge, echoing the TV shape.

I ended up doing something a little funky with the thread for the outline.

Like the title suggests, in the movie poster, the TV is glowing.

I couldn’t make the fabric glow, but I was able to find some pink glow in the dark thread. It’s a peach color, which is not the bright magenta of the movie, but I was determined to make it work. I got a magenta thread that matched the fabric that I chose for the screen, and I used both threads for the outline.

Normally, for applique, I do three passes for the outline. For this project, I did four passes: two with the magenta, and then two with the glow in the dark. It still reads visually as very magenta, but if you let it charge in the sun for a bit and go into a dark room, the outline glows! (I tried to get a picture of the glow, but it wasn’t bright enough to show up on camera.) 

With that, the front of the shirt was finished, and it was time to move on to the back. I wanted to put two things there—a quote from the movie, and an embroidered motif, also from the movie. 

I had a vision for this shirt. For the quote on the back of my Silence of the Lambs shirt, I used whatever colors and letters I had. For this, I wanted to try and stick with one color theme. I picked letters that were all different shades of pink and purple and used them to spell out “There is still time.” 

I sewed them down the same way that I did for the previous shirt, but with two new tricks. I made sure that the adhesive on the back of the letters went ALL the way to the edges. 

I also remembered to change my needle this time! Last time, I hadn’t changed it after sewing through the paper of the fusible adhesive on the black backing. This time I remembered, and sewing the letters down was snarl-free. 

I did forget one thing that I learned last time. In fact, I can almost guarantee you that I’ll forget it again, because I always do.

I didn’t use a press cloth when I started fusing the letters down, and I once again got plastic residue on my mother’s iron.

(It cleans off quick with a dryer sheet, but it still smells bad.)

The original post about ransom note upcycled t-shirts by Swoodson Says says to use a presscloth, and I said in my Silence of the Lambs post that you should use a presscloth. Even with all that, I still forgot again. 

It wasn’t a huge deal, and with the presscloth I was able to fuse the letters down and sew them in place. 

You may have noticed something else on the back of the shirt. A little ghost above the letters. This is the embroidered motif I mentioned. In the movie, this ghost glows on the backs of the characters’ necks. I thought it would be fun to embroider the same image on the back of the shirt. I really wanted it to glow pink in the dark.

I bought a glow in the dark braid that seemed promising. It looked great on the spool, but it didn’t work for this project.

The thread was thick and plastic-y. I expected that. It comes with the territory when you’re looking at glow in the dark stuff. Sadly, it just didn’t work with the t-shirt fabric. I couldn’t pull the thread tight on the t-shirt without the whole shirt bunching up, so the thread wouldn’t lay flat, and it made my lines look sloppy. I think that this thread would work great on a thicker, more stable fabric.

I ended up swapping to a magenta embroidery thread, and I think it looks much better. 

And that’s it! 

Custom "I Saw the TV Glow" T-shirt with retro monitor and ghost design.

I’ve really been enjoying upcycling old t-shirts this way, and I was glad to have an excuse to make another one so soon. I hope my friend enjoys it! (Even if it is two weeks late.)

Making the Miu Top – Knitting Pattern Review

Knitting pattern for the Miu Top, featuring a cozy, textured design perfect for spring and fall wear.

I saw the Miu Top by Una Gil on Instagram and thought it looked cute, so I made it. 

Here’s the cover photo for the pattern.

This top is a little out of character for me style-wise, but I’m trying to upgrade my closet, so I want to take a chance on some new silhouettes.

It has a wider neckline than I normally like, and it’s a sleeveless top. I don’t like wearing sleeveless tops so I’ll probably always wear a thin layer underneath. 

Before I talk about the pattern, let’s talk about the yarn. It’s Harrisville Designs Nightshade yarn. 

Yarn skeins in dark shades of purple, black, and teal for knitting projects.

I spotted it at the Rose City Yarn Crawl this year, and I thought it was so gorgeous that I had to make something with it. These yarns are black wool marbled with another color. It gives them an almost black look, but in the sun or other bright light, the color is more visible. I originally wanted the color VCR, which was a nice green color, but they didn’t have enough in stock. I ended up going with Talk Radio, which is their purple. 

Hand-dyed purple and black yarn from Harrisville Designs.

It knits up well. It’s not a superwash wool, so it felts together pretty quickly. On the one hand, that makes a nice dense fabric, on the other, it’s a pain if you need to rip anything out. The yarn felt rough when I worked with it, but it blocked much softer. I have worn thin layers under the top when I’ve worn it out, so I’m not sure how itchy it is when worn against bare skin. 

DISCLAIMER ABOUT THIS YARN. As pretty as it may be, I had major problems with it breaking. It didn’t seem like the kind of yarn that would break so easily. (It’s 3ply, not single ply, which is where I usually run into breakage problems.) The yarn broke twice when I was trying to cast on. It also broke while I was knitting when I was pulling some from the ball in my project bag. In addition to that, it broke MULTIPLE times when I tried to seam the shoulders. I ended up getting the seams sewn, but it took a few tries and an extremely gentle hand. On their website, someone left a review about breakage that seemed similar to what I experienced, and the company responded saying it wasn’t normal. Maybe I just got a bad batch. Honestly, the colors are so pretty that I would still work with it again, I’d just be mindful of the breakage and be cautious from the beginning. 

The top itself worked up quickly. It’s worked bottom up. The waistband is worked in the round until you get to the underarms, then you split the front and back and work them flat. Once you work the front and back to the length that you want, you seam the shoulders and you’re done! 

Knitting pattern for the Miu Top, featuring a cozy, textured design perfect for spring and fall.

Overall I like the fit. I made a size medium, and I used two full skeins, and then part of a third. 

I’m still undecided about the wide neckline.

Making the Miu Top knitting pattern, featuring a colorful ombre hair style and cozy dark sweater.

I might go back and sew up a bit more of the shoulder seam (although I don’t know if I want to fight with the yarn again).

Final review…

The pattern is great – easy to follow, very adaptable, exactly what the cover image shows. I’m not 100% sold on the silhouette for me, but that’s nothing to do with the pattern itself.

The yarn is lovely and the color is beautiful. I’d use it again, but with caution in case the breakage issue wasn’t a one-time weirdness.

I Finished a Knitting Project – Sophie Hood Pattern Review

Beautifully knitted Sophie Hood in blue and teal shades.

Last May (almost a year ago!) I wrote this in the newsletter…

I’m learning how to knit!

Again. 🙄

The last time I tried, I thought I hated knitting. But what I did was make a very, very basic mistake.

I know how to help beginners learn. It’s what I do!

But I went against all of my own advice from this post about choosing an applique pattern for a beginner.

Friends – I chose a boring pattern. Truly, the most boring pattern ever.

Let me back up. . .

A few years ago I decided I wanted to learn how to knit. Jo (my daughter and now also my business partner) is an excellent knitter, and she offered to teach me.

I bought some inexpensive-but-nice-feeling yarn and started to make The Most Boring Scarf in the Whole Wide World.

A very simple, partially-knitted garter stitch scarf.

It was just knitting back and forth. Endless knitting. Boring knitting. That photo above is my progress after, I think, three years.

Yawn.

I don’t even wear this kind of scarf! I was making it just to learn how. There was nothing exciting about the thing itself.

This year [this was in March 2025] I decided to try again.

I chose the Sophie Hood, a very popular pattern from Petite Knit. It’s an intermediate-level pattern, with increases and decreases, and a built-in i-cord edge. I decided to complicate things even more by adding a second yarn and striping them. Some experienced knitters were dubious about choosing this for a first project, but it’s a thing I’ll actually wear, and I know I’m a patient learner. I’m okay with stopping to get help/watch some videos whenever I need to.

Jo and I went out and enjoyed the Rose City Yarn Crawl, and she helped me choose yarn. Look at how pretty it is!

Skeins of yarn, ready for knitting.

Now I was ready to start again.

Here it is after (I think) a week.

The start of a knitted scarf.

I had to learn again how to cast on, how to knit, how to do that pretty i-cord edge, and how to change colors. I made some mistakes and had to learn how to un-knit my stitches. (It’s way harder than just pulling out crochet stitches!)

I’ve been making slow and steady progress, and now I’m halfway finished! [This was in May 2025.]

Knitted Sophie Hood, halfway finished.

Look at those yummy color changes in the stripes!

So here’s the thing – all those things that make the project more difficult are also making it more interesting.

Yes, sometimes I forget to switch to the i-cord stitch and I have to un-knit stitches and do it the right way – but that i-cord edge looks so finished and nice! And knitting with two balls of yarn is annoying and I have to keep untwisting them, but I love the stripes! And every time my contrast yarn changes color I get a little frisson of excitement.

I’m having fun, and I can’t wait to wear my finished scarf.

A long time ago, I heard someone (I don’t remember who) speaking about kids learning to read. Learning to read is hard, and he was talking about the importance of writing books that kids will enjoy, because putting a lot of effort into decoding a boring book is not very rewarding. But if a book is a pleasure to read, the kid will be more willing to practice, and that practice will make them more proficient, which will, in turn, make the activity more pleasant, and around and around we go.

All of this is a very long way of saying that if you want to learn something new – whether it’s knitting, quilting, crochet, embroidery, cooking, whittling, playing the cello, or whatever – do it with something you’re excited about!

So that’s the end of the original post, but today I have an update. I finished it!

I actually finished it in November, but it’s taken me this long to take a picture. 😂

Wendi wearing a knitted Sophie Hood in a tulip field.

Here it is from the side.

Woman wearing a blue knit hooded scarf in a vibrant field of tulips.

And here it is laid flat.

Brightly Colored Knitted Sophie Hood.

It’s a hood with long scarf ends that come to a nice, small taper at the tips. The scarf hangs down just past my knees – long enough to wrap around my neck from front to back, and around front again.

(It was very windy out at the tulip farm and the tip of the scarf has blown to my back in the side view photo, but you can see it in the front view.)

Here’s why the Sophie Hood is a great first knitting project…

  • There’s no purling. The entire scarf is just knitting and slipping stitches.
  • The i-cord edge is super easy and gives it a real pro look – very satisfying.
  • Knitting has (I am learning) a kajillion different ways to increase, but this pattern uses only one. And it’s easy. And the rows when you start are so short that you get lots of immediate opportunities to practice it. By the time the rows get longer with lots of stitches between your increases, you’ve got them down pat.
  • I highly recommend striping with two yarns. It’s not hard, and the stripes actually helped me keep track of where I was in the pattern at all times. That was especially helpful because I’m still learning how to “read” my knitting.

For those following along in my Wardrobe Project, I’m wearing this with my new blue dress, some me-made-pants (which I’ll blog about soon) and one of my favorite kimono-style jackets.

And I’m not done knitting! Or choosing what appear to be complicated projects!

I love the look of cables, so I’m working on a vest that’s basically all cables. Here’s my swatch.

Cable knit swatch showcasing intricate knitting pattern and vibrant blue yarn. Perfect for knitting.

I also wanted a smaller project that’s easier to schlep around. I love the socks that Jo has knit for me, so now I’m working on a pair of socks! There’s enough weird shaping to learn for them that I just picked a simple ribbed sock pattern. I’ve finished the first one (it fits perfectly!) and I’m well on my way through the cuff of the second, so there will be more knitting to report on soon.

I’m making clothing! I mean, I guess it’s technically an accessory – but I wear it, so it counts! 🙂

Upcycled Applique Silence of the Lambs T-shirt

Applique Silence of the Lambs T-shirt with moth design, perfect for fans of unique, themed apparel.

Well, Clarice? Have the lambs stopped screaming? 

Silence of the Lambs is one of my favorite movies. I’ll never turn down a chance to watch it, and I quote it all the time. 

One of my goals when I started re-doing my closet was to up my t-shirt game. I have a bunch of good movie t-shirts already, but sometimes I can’t find one for a specific movie that I like…like Silence of the Lambs

My mom designed a death’s head moth quilt pattern recently (spoiler – it’ll be released soon) And since that features on the movie poster (and also in the movie) I thought it would be a great choice for a Silence of the Lambs shirt. 

This whole project was basically one huge test, so this post will be longer than the previous ones I’ve written. 

I, of course, didn’t take a picture of the t-shirt before I did all of this. Hindsight is 20/20 I guess. I was able to find a similar looking shirt on google. It looked like this, but the logo was beige and gray, and also flocked. 

T-shirt with eagle logo design.

The logo was too big to cover with the moth alone. I would either need to take the logo off, or make a backing bigger than the moth to cover more of the shirt. 

First, I tried to take the logo off. I thought it might have been an iron-on, so if I heated it up with an iron again, I could peel it off. No luck. My thought process was that taking the logo off would be better than covering it because adding an additional layer of backing behind the moth might make the front of the shirt stiff, which would make it hang weird. 

Once I figured out that I couldn’t take the logo off, I knew I was going to have to add the extra backing. I’ll get back to that in a bit. 

I printed the moth design onto a plain piece of paper and checked the size of it compared to the t-shirt. Even though it wouldn’t cover the logo on the shirt, I liked the size of the moth in proportion to the shirt. If I wanted it bigger, I would have had to print it on two separate pieces of paper, which would have been a pain, so I’m glad the original size worked out. After that I basically followed the normal instructions for one of Mom’s quilt patterns, except I cut the pieces out of t-shirt fabric (like she did for her snail dress) instead of quilting cotton. 

One other change that I made was using Heat & Bond Featherlite fusible adhesive instead of the normal Lite weight that we usually use when quilting. I did this for the same reason that I tried to take the logo off the shirt. I wanted my design to be as thin as possible so it didn’t mess with the way the shirt hung. I WOULD NOT DO THIS AGAIN. The Featherlite was fine at first, but it didn’t stick great, and peeled up a bit while I was sewing. I didn’t have this problem using the normal Heat & Bond Lite with T-shirt fabric, so next time I’ll just use that. 

Just a fun heads up. I spent most of this project paranoid that everything I was adding was too thick. It literally didn’t even matter a single bit. The shirt hangs fine, and I stressed over nothing.  

I fused all the moth pieces together using a light box to position them, so I ended up with the moth assembled in one piece, ready to fuse to the shirt.

Now it was time to make an extra backing that would cover the logo.

I designed the backing by just cutting an oval out of a piece of printer paper. When it was the size and shape that I wanted (the moth fit nicely inside it and the oval fully covered the logo) I cut the shape out of fusible adhesive, fused it to black t-shirt fabric, and fused the moth to the oval. I thought about not putting fusible adhesive on the back of the oval, but I wanted it to be stabilized – both for sewing the moth to it and then sewing it to the shirt. I was worried that if I didn’t put the adhesive on the back that when I sewed the moth on it would stretch the backing oval out of shape. Same for if I sewed the oval to the shirt with no adhesive behind it to stabilize.

In the end, the front of the shirt turned out really well, so I think I made a good call by putting the adhesive on the back of the oval.

Time to do the outline stitching. 

I sewed the outline of the moth in an orange and yellow variegated thread. Since the moth is mostly gray, I wanted to add a little pop of color. I was also inspired by the movie poster, which has both orange and yellow. 

Close-up of a woman's face with red eyes and a moth with a skull on its back.

I did three passes with the outline, just like on our quilt samples. It made a nice bold outline, and I think it turned out really well. 

Colorful moth applique on black fabric T-shirt. Unique handmade design inspired by Silence of the Lambs.

I kept the paper backing on the oval when I sewed the moth to it. I will warn you that sewing through the paper WILL dull your needle. If you do what I did, you should change your needle after. I didn’t, and it came back to bite me. Learn from my mistakes. 

After I sewed the moth to the oval, I peeled off the backing paper, fused the oval to the shirt, and sewed it down with a zigzag stitch. I did this instead of a straight stitch because I didn’t want the edges of the oval to curl up, which would have happened with a straight stitch after a few washes. Since they’re both black fabrics, you can barely see where I sewed the oval to the shirt. 

Silence of the Lambs moth applique T-shirt for adults or kids, featuring a spooky moth design.

Now that I was done with the front of the shirt, it was time for the back. I was inspired by a Swoodson Says post about ransom note letters from old t-shirts. I followed her instructions pretty much to the letter (no pun intended). It’s pretty easy. Just fuse Heat & Bond to the back of the t-shirt. Make sure to leave a margin around the letters. Then cut them down to size, peel the backs off, fuse them, sew them down, done!

This was my first time trying this out, and I learned a lot. Sometimes it’s hard to get the fusible adhesive completely on the back of the letters – especially if the word is curved. It’s crucial to have adhesive on every corner of the letter. This will save you grief later.

I also found that letters with a black background were harder to sew to the shirt because I couldn’t really see the edges. If you’re not sewing black letters onto a black t-shirt, I think you’ll be fine. 

I laid my letters out on the back of the shirt, and fiddled with them until I liked the placement.

Custom applique Silence of the Lambs T-shirt with quote design.

I peeled off the backs and fused the letters down.

USE A PRESSCLOTH FOR THIS.

I should have, but I didn’t at first and the letters left a residue on my mother’s iron (don’t tell her). Use a presscloth just to be safe. And if you get something sticky on the iron, use a used dryer sheet to wipe it off the hot surface.

Once everything was fused down, I got to sewing. I opted for black thread for all of them. I thought that using the same variegated thread that I used on the front would make the back too busy, and color matching all of the letter squares would make me crazy. 

I tried out just one outlining pass with the black, but it looked too thin for my taste, so I went ahead and did three passes like I did on the front of the shirt. When I started sewing the letters, I did three passes on one and then moved on to the next, did three passes, and so on. I wouldn’t recommend that, and I stopped doing it after the first word. I would recommend giving each letter a single pass. I really had to wrangle the t-shirt a lot to go around the small letters, and all that movement made the corners of some of the other letters peel up. I felt much more secure after I got a single pass of outlining on all the letters – then I could wrangle without worry. 

Hey, remember how I said to change out your needle after sewing through that paper earlier? And also how I said that I didn’t do that? Yeah, now is the time that I learned my lesson. On my first pass on some of the letters—specifically ones with cheaper t-shirt fabric, or ones without adhesive in every corner—the machine sucked them down. This was totally the needle’s fault. It wasn’t piercing all the way through, instead pushing the t-shirt down into the bobbin area and making a huge mess. There are at least three letters that this happened to before I realized that I needed to change the needle. 

Applique Silence of the Lambs T-shirt with letter blocks design.

It’s a bit hard to tell in the photos, but the places where the outline gets wonky are the places where the machine sucked the fabric down. Those spots are a hard knot of thread behind where the fabric bunched and the feed dogs didn’t get a good grip. If this happens to you, don’t try to seam-rip it. There’s a very high chance that you’ll end up ripping the fabric instead of the thread. My advice is to leave the snarl, but try your best to flatten it on the next pass by pulling the t-shirt tight, and basically pulling it through the machine so that it doesn’t have a chance to get stuck in the same place. 

Once I got all the letters sewn down (which took like 2 hours of my Dune audiobook), I ironed the back again to set the stitches. Make sure to use a presscloth again. 

Then I was all done! 

Here’s the front…

Silence of the Lambs moth applique T-shirt, black casual wear for horror movie fans.

And here’s the back…

Applique Silence of the Lambs T-shirt with colorful letter blocks design.

In hindsight, I would have moved the letters over to the right a bit. I wanted them as far left as I could make them, but when I wear the shirt, I find that the first letters of the words disappear a bit. 

Even though there are things I would change on the next project, I’m really happy with how this shirt turned out. I’m already thinking ahead to what other movies I could make shirts for. Maybe a bee for Candyman? Or a syringe filled with glowing green liquid for Re-Animator? If anyone else does a project like this, I’d love to know. There are so many possibilities!