The Fish Quilt pattern is finished! I did the final quilting with decorative stitches that come standard on my sewing machine. More on that in a minute.

All week I’ve been sharing peeks behind the scenes at some of the design decisions I made for my sample quilt.

In this post I showed how I quilted my background blocks in a fun wavy pattern.

In this post I talked about choosing fabric – especially the color.

In this post I talked about how to work with the print/pattern of your fabric – using the example of the striped fabric I used for some of my fish.

Today I’m talking about the final quilting.

This is different from the waves I quilted into the background blocks. This is the final round of quilting – just over the seams joining the blocks – that holds the backing to the quilt.

Usually I do either straight line quilting 1/4″ on each side of all the seams, or a fairly open and narrow zigzag over the seams.

But sometimes I find a decorative stitch on my machine that will be perfect for a quilt – and that’s what I did for this one.

Doesn’t this look like bubbles?

I used it for all the vertical seams, because streams of bubbles like this travel straight up. 🙂

For the horizontal seams I used a small wavy stitch to echo the wavy quilting within each block.

I used a variegated blue thread for both of them.

(For the Beep Beep quilt I did the final round of quilting with a decorative stitch that looked just like tire tracks. Perfect!)

Decorative stitches like the bubbly one CAN BE TRICKY – so I recommend doing some test stitching on a swatch to make sure it’s going to work for you.

The biggest problem is with stitches where the feed dogs move the quilt back and forth to achieve the stitch, instead of always steadily forward. It can be very hard to manage that back and forth motion with a large, heavy quilt in there!

Here’s where I went wrong on my quilt.

I didn’t have the quilt “fluffed” loose enough and it was hooked on the corner of my working surface. That was keeping it from feeding through properly, and you can see in the top of the photo where the stitches are all scrunched together and those bubbly circles are distorted and almost overlapping each other.

Instead of properly fixing the problem, I gave the quilt a tug – and ended up feeding the next section through too quickly, so that I made distorted wavy spirals instead of circles. 🙁

Sigh. I really know better. I slowed down and “stuffed and fluffed” properly for the rest of the quilt and everything else looks great. 🙂

(If you don’t know what I mean by “stuff and fluff” this post about quilting a full-sized quilt in a standard machine will explain.)

So – the moral of the story is. . .

It’s a lot of fun to use decorative stitching for the quilting, but only do it if you have the patience for it. If not (or if this is your first time machine quilting) use either a straight stitch, or a wide stitch that moves steadily forward, like a zigzag.

I hope some of you will share close-ups of your quilting in the Shiny Happy People Facebook group! It’s always so much fun to see what design decisions everyone else is making!

You can order the Fish Quilt pattern here.

You can order the Sea Creatures quilt pattern (designed to combine with the Fish pattern) here.

Here are all my posts about layering and basting your quilt, and the final round of quilting.

• How to Layer and Baste a Quilt Sandwich
• How to Machine Quilt
• My Favorite Tip for Machine Quilting without Swearing
• How to Quilt a Big Quilt on a Standard Sewing Machine
• What Does It Mean to Start Quilting in the Middle and Work Your Way Out?
• How to Quilt Perfectly Parallel Lines
• Tips for Quilting a Cuddle Fleece Back
• Quilting with Decorative Stitching

Here are all my posts about hand quilting and Big Stitch quilting. I don’t use these techniques with fusible applique or Quilt As You Go, but I LOVE using Big Stitch Quilting with my cheater fabric.

• How to Tie a Knot
• Hand Quilting Basics – traditional hand quilting
• Hand Quilting without Marking
• Big Stitch Quilting
• How to Quilt All the Way to the Edge

Finished with this topic?

Return to the Let’s Make a Quilt main Table of Contents.

Move on to the lessons about binding and finishing your quilt.

Happy quilting!

Some of the most common questions I get are about choosing fabric for a quilt. People often want to know how to choose colors that go together, but I also get questions about how to choose the right print.

Usually I make things really easy on myself by choosing a tone-on-tone print or blender. These work GREAT for applique, because the fabrics read as a solid (making it easy to “see” each shape distinctly), but they have texture from the print (making your finished block more interesting).

A lot of times a high-contrast print fights against your applique, because you tend to see all the shapes within the fabric more than you see the shape that you’ve cut the fabric into.

But sometimes we can use that tendency to our advantage and make a high-contrast print work for us.

I’m using examples from the Fish quilt pattern – but this applies to choosing and using your fabric print for any quilt. Here’s just one example of a block from the Wild Flowers quilt pattern that uses stripes really well. Having smaller vertical stripes in that top section suggests the stamens of a flower.

So – back to the fish. In addition to the crosshatch and tiny polkadots prints I used, I also used some skinny stripes. It’s those stripes I want to focus on today.

When you’re working with stripes, you really want to pay attention to the way you position the applique pieces. I actually do that with all kinds of fabrics. See how the crosshatching on Gerald’s body runs at an angle, and on the spot and his tail it runs straight up and down?

I actually did that on purpose, but most people don’t even notice it.

That’s not the case with bolder patterns like stripes. You really have to think about how those stripes will run.

On Hank here I made the stripes run horizontally.

On Charlie I chose vertically.

You could use striped fabric on some fish and skip the smaller applique stripes, Like Louis here.

If you wanted to simplify that fish, just skip the purple applique stripes and use a striped fabric set vertically for his body. Easy peasy!

On Angelina I used the stripes to mimic the way a lot of fins have ribs in them, and how the angle of the ribs change – kind of sweeping back as the fish moves through the water.

In both of her fins, the stripes are parallel with the front edge of the fin.

I fully admit that that last example may be overthinking things a bit. 🙂

But I do stand by the notion that when your fabric print is bold, you need to put some thought into how you use it in your applique.

This post is part of a series specifically about working with the Fish pattern. Here are the rest. . .

• You can order the Fish Quilt pattern here.
• You can read about how I quilted my background blocks here.
• You can read about how I chose my fish colors here.
• You can read about how I did my final quilting (bubbles!) here.

Here are links to all the posts about choosing fabric.

• How to Choose Fabric for a Quilt
• Using Fabric Print Wisely
• Applique with Prints – Tips for Color Choices
• Why Spoonflower Fabric
• How to Fill-a-Yard on Spoonflower
• Working with Shiny Happy World Color Palettes

And here are links to posts about using specialty fabrics.

• Working with Flannel
• How to Applique with Shiny Fabric
• How to Applique with Satin
• How to Applique with Fleece
• How to Applique with Faux Fur
• How to Applique onto Faux Fur

Finished with this topic?

Return to the Let’s Make a Quilt main Table of Contents.

Happy stitching!