And I forgot to mention the sale on awesome colorful tea towels in the video! There are perfect for stitching and giving as inexpensive handmade gifts and they’re all 20% off this week. More details here.
Isn’t that purple batik I used for his body fabulous? Batik is especially lovely for applique. It’s usually a very tight weave so it tends not to fray, and the little bit of fraying that occurs is practically invisible because batiks are dyed all the way through, so there are no white threads on the fabric back. Look for some colorful batik fat quarter bundles in the shop later this month!
Choose any of my square applique patterns. They’re all designed to finish at 10 inches, so they’ll all fit in the Polaroid frame dimensions we’ll be working with here.
If you don’t have any of my quilt patterns, you can buy one here, or choose one of the free patterns available here.
Step 2
Prep your materials. For a single block (good for a pillow cover) you’ll need. . .
1 piece of cotton batting cut 18 inches square (or a little larger)
1 piece of fabric for the background of the “photo” cut 10 1/2″ square
scraps of white fabric (I like using white on white prints for a tiny bit of texture) cut into the following strips
two strips 1 1/4″ x 10 1/2″
1 strip 1 1/4″ x 12″
1 strip 3 3/4″ x 12″
1/3 yard background fabric (the part around the Polaroid frame) – for best results, use a fabric that is a random scattered pattern that works in all directions. I love the speckly polkadots I used and I’ve got them on order in a bunch of great colors for the shop.
Press your batting square (with steam) and let it cool before you move it.
Layer your “photo” background at a slight angle (you’ll want to vary the angle a bit in each block of your quilt) and quilt it to the batting.
There’s a post here showing some of my favorite no-marking straight line quilting patterns here, and wavy quilting patterns here.
Press the block again and let it cool.
Step 4
Layer, fuse, and outline your applique.
Making sure that the raw edges at the bottom of the shoulders are lined up with the raw edge at the bottom of your background block.
Note – I’m zoomed in now to the “photo” that will be inside your Polaroid, just to get you the closest view possible. Your “photo” will be surrounded by bare batting – for now.
Let’s start building the frame!
Step 5
Using your 1 1/4″ x 10 1/2″ white strips and 1/4″ seam allowance, sew a strip to each side of your block.
Sew the 1 1/4″ x 12″ strip to the top of your block, opening and pressing the strip like the side strips.
Step 7
Complete the Polaroid frame by adding the 3 3/4″ x 12″ strip to the bottom of the photo.
See how the raw edges at the bottom of your applique are all hidden now? It looks just like a photo!
Now it’s time to cover up the rest of the batting.
Step 8
Pick any side of your Polaroid and sew on a strip of the background fabric, using the same “stitch & flip” method.
The rest of the photos will be zoomed out like this one so that you can see the whole block. The background fabric should completely cover the batting and there will be some overhang.
Step 9
Continue adding strips to cover the batting. I moved on to the right side next.
And then the top.
And finally the last side.
You can go in any order you like – just continue until the batting is covered.
Oops! I still have a little sliver exposed!
I’m not going to worry about it. I know I cut my batting square on the big side, and my next step is going to be to trim the block down to size. I’ll keep an eye on that sliver. If it doesn’t get trimmed away, I’ll use a scrap of the same fabric to add one more strip to cover it.
Step 10
Trim the block to 17 1/2″ square. That way when you sew it together with other blocks to make a quilt, it will finish at 17″ square.
My first step in trimming is always to flip the block over and trim away the excess background fabric from the batting edges. That way I know exactly where the batting ends.
I just use my rotary cutting tools to cut away those red triangles showing around the batting square.
Then flip your block back over and trim to size. make sure you leave at least 1/4″ of background fabric around each corner of your Polaroid frame. You don’t want those corners to get buried when you sew your blocks together!
Done!
I was careful to trim away that uncovered sliver of batting.
Here’s a little mockup showing just four blocks together. If you use the same fabric for all the backgrounds, it looks like a page in an album with a bunch of Polaroids scattered on it!
Here are some dimensions and yardage requirements for all three of my standard quilt sizes.
Crib Quilt
My crib quilts are usually 50″ x 50″ but for the Polaroid version it will be 51″ square. Make 9 blocks total, arranged 3 x 3.
1 1/4 yard total of fabrics for the “photo” backgrounds
3/4 yard white fabric
2 3/4 yards background fabric
at least 3 fat quarters for applique, though you’ll probably want more for variety
Napping Quilt
My napping quilts are usually 50″ x 60″ but for the Polaroid version it will be 51″ x 68″. Make 12 blocks total, arranged 3 x 4.
1 1/2 yards total of fabrics for the “photo” backgrounds
1 yard white fabric
3 1/2 yards background fabric
at least 3 fat quarters for applique, though you’ll probably want more for variety
Twin Quilt
My twin quilts are usually 70″ x 90″ but for the Polaroid version it will be 68″ x 85″. Make 20 blocks total, arranged 4 x 5.
2 1/4 yards total of fabrics for the “photo” backgrounds
1 1/2 yards white fabric
5 3/4 yards background fabric
at least 5 fat quarters for applique, though you’ll probably want more for variety
You can get a lot of the fabrics you need in my shop.
The fat quarter bundles are all shown in the shop as a stack of fat quarters and are ideal for the appliques.
Fabric bundles (shown in the shop as color-coordinated strips of fabric) are all precut 12″ strips perfect for the “photo” backgrounds. The bundle sizes are all based on my normal quilt layouts. For Polaroid quilts a crib-sized bundle is enough to make all the photo backgrounds in a twin-sized quilt.
For the white fabric, I really like using white-on-white prints. The White Architextures print I have in the Warm Neutrals fat quarter bundles is perfect, and I have some leftovers available. You can get that here.
Finally – I’m adding some great fabrics for the backgrounds to the shop. I’ve got that terrific scattered speckly polkadot print like I used in my sample coming in in lots of great colors. They’ll be available by the half yard.
